"Taking ‘The End’ as its theme, this new anthology includes essays on the bad endings of bad girls, low-end sounds in Lynch’s films, personal and collective apocalypse in Ingmar Bergman’s work, the ending of road movies, French master Henri-Georges Clouzot’s unfinished masterpiece Inferno, a graphic piece on The Night of the Living Dead and an image-based recollection of Decasia. "
The end of this story begins with a single gunshot. A murder in a supermarket, by the checkouts. There is a calling out for blood, holy justice through sacrifice. A child, blond and innocent, is first singled out and then the woman who holds him close to her. A fevered mob descends upon them both as others try to defend them. There is a lashing out with fists and makeshift weapons. As fights break out, the only armed man in the supermarket takes his pistol out from behind the waistband of his trousers, takes careful aim and slowly squeezes the trigger. The dull thud of the single shot echoes along the aisles. The bullet breaks through the milk bottle that a woman holds and enters her stomach. The fighting stops; silence as the woman falls to her knees. Her blood spills out, a deep copper red blossom that soaks into the floral pattern of her dress.